Vampires and Theology
Madeline Potter
The Palgrave Handbook of the Vampire·2024
Literary vampires are often associated with reversals and subversions of
Christian imagery. Beyond this surface opposition, however, vampires are
written as complex tools for theological exploration, as this chapter demonstrates. Tracing the development of vampire literature in the nineteenth century, this chapter investigates how literary vampires articulate theological
possibilities beyond mere doctrine. Following the premise that vampires exist
variously in the proximity of divinity, this chapter showcases how authors
employ the figure of the vampire to ask questions about God, humanity’s
relationship to the divine, sacred temporality, and martyrdom, all ultimately
explored at the intersection of physical and metaphysical planes. The corporeality of the vampire, this chapter argues, makes possible such points of intersection. From well-known texts including JS Le Fanu’s “Carmilla” and Bram
Stoker’s Dracula, to lesser-known vampire tales such as William Gilbert’s “The
Last Lords of Gardonal,” vampires reflect divine ontologies and temporalities,
but resist binary interpretations as simply demonic figures, and this chapter
demonstrates how vampires emerge as theological beings necessary in thinking
about what lies beyond mere materialism.