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Zjawy-objawy. O horrorze zaangażowanym u autorek hispanoamerykańskich w XXI wieku

Pluta, Nina

Teksty Drugie. Teoria literatury, krytyka, interpretacja·2024

Współczesne pisarki hispanoamerykańskie, Mariana Enriquez, Mónica Ojeda i Liliana Colanzi konsekwentnie wykorzystują zabiegi z horroru i gatunków pokrewnych wprzęgając je w krytykę społeczno-polityczną. W artykule przedstawiono ten „projekt gotycki” (Goicochea) jako przejaw nowych form zaangażowania w prozie hiszpańskojęzycznej XXI wieku. Przywoływane przez autorki motywy nadprzyrodzonego zła zostają skojarzone z koncepcjami różnych form przemocy (kolonialność, przemoc na tle płciowym, przemoc subiektywna/obiektywna, ekologiczna) oraz zinterpretowane w kontekście studiów o społeczno-politycznych wymiarach gotycyzmu.

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Income Inequality in the United States: Using Tax Data to Measure Long-Term Trends

Gerald Auten, David Splinter

Journal of Political Economy·2024·55 citations

No abstract available

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A Steampunk Critique of Machine Learning Acceleration

Michele Cremaschi, Max Dorfmann, Antonella De Angeli

Designing Interactive Systems Conference·2024·5 citations

No abstract available

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Prevalence, phenomenology, and impact of misophonia in a nationally representative sample of U.S. adults.

Laura J. Dixon, Mary J. Schadegg, Heather L. Clark, Carey J. Sevier, Sara M. Witcraft

Journal of Psychopathology and Clinical Science·2024·16 citations

No abstract available

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VIRTUAL REALITY SIMULATION (VISION) IN NURSING AND MIDWIFERY EDUCATION: A USABILITY STUDY

Mohamad Saab, Megan McCarthy, Billy O'Mahony, Eoghan Cooke, Josephine Hegarty, David Murphy, Nuala Walshe, Brendan Noonan

EDULEARN Proceedings·2024

No abstract available

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INCORPORATING VIRTUAL REALITY IN NURSE EDUCATION AND HEALTHCARE: A QUALITATIVE STUDY OF NURSING STUDENTS' VIEWS

Mohamad Saab, David Murphy, Josephine Hegarty

EDULEARN Proceedings·2024

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Who Decides What Is Democratic?

Adam Przeworski

Journal of Democracy·2024·20 citations

Abstract: What is "democratic" depends on the values one attaches to democracy. The distinction that determines the answer is between minimalist and maximalist conceptions of democracy. Defending democracy requires a positive, forward-looking program of reform.

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LLM Critics Help Catch LLM Bugs

Nat McAleese, Rai Michael Pokorny, Juan Felipe Ceron Uribe, Evgenia Nitishinskaya, Maja Trebacz, Jan Leike

arXiv·2024

Reinforcement learning from human feedback (RLHF) is fundamentally limited by the capacity of humans to correctly evaluate model output. To improve human evaluation ability and overcome that limitation this work trains "critic" models that help humans to more accurately evaluate model-written code. These critics are themselves LLMs trained with RLHF to write natural language feedback highlighting problems in code from real-world assistant tasks. On code containing naturally occurring LLM errors model-written critiques are preferred over human critiques in 63% of cases, and human evaluation finds that models catch more bugs than human contractors paid for code review. We further confirm that our fine-tuned LLM critics can successfully identify hundreds of errors in ChatGPT training data rated as "flawless", even though the majority of those tasks are non-code tasks and thus out-of-distribution for the critic model. Critics can have limitations of their own, including hallucinated bugs that could mislead humans into making mistakes they might have otherwise avoided, but human-machine teams of critics and contractors catch similar numbers of bugs to LLM critics while hallucinating less than LLMs alone.

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Dialectical Sentences and Social Contradictions in Nathaniel Hawthorne’s The House of the Seven Gables

Cyrus Amiri, Mahdiyeh Govah

Atlantis. Journal of the Spanish Association for Anglo-American Studies·2024

This paper highlights formal and thematic expressions of discursive conflicts in Nathaniel Hawthorne’s The House of the Seven Gables. It focuses on Hawthorne’s use of the “dialectical sentence,” a type of sentence attributed to German dialectical thinkers, principally Theodor Adorno. Voicing two contradictory views in the same breath, the dialectical sentence provides formal expression of irresolvable discursive conflicts. Hawthorne’s dialectical sentence serves as a suitable medium for expressing the conflict of interests between the Pyncheon and Maule families. The discursive conflicts are expressed through a set of binary terms, including Pyncheon/Maule, novel/romance, present/past, reason/rumor and science/ superstition. The first term in each binary usually serves for the Pyncheons and the second, the Maules. Thus, expressed in dialectical sentences, the narrative voice oscillates between an irony which reflects the values of the former family and an enthusiasm which reflects those of the latter. Coming down firmly on neither side of the conflict, and through avoiding reconciliation, the novel takes on a dialectical structure which keeps the resolution of the discursive conflicts, as a utopian element, for a time outside the novel’s timeframe.

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Newest Papers

Zjawy-objawy. O horrorze zaangażowanym u autorek hispanoamerykańskich w XXI wieku

Income Inequality in the United States: Using Tax Data to Measure Long-Term Trends

A Steampunk Critique of Machine Learning Acceleration

Prevalence, phenomenology, and impact of misophonia in a nationally representative sample of U.S. adults.

VIRTUAL REALITY SIMULATION (VISION) IN NURSING AND MIDWIFERY EDUCATION: A USABILITY STUDY

INCORPORATING VIRTUAL REALITY IN NURSE EDUCATION AND HEALTHCARE: A QUALITATIVE STUDY OF NURSING STUDENTS' VIEWS

Who Decides What Is Democratic?

Development and validation of Mayaro virus with luciferase reporter genes as a tool for antiviral assays

Problemen met daklozen groter dan gedacht: 'We gaan schrikken van de cijfers' - Omroep West

LLM Critics Help Catch LLM Bugs

Dialectical Sentences and Social Contradictions in Nathaniel Hawthorne’s The House of the Seven Gables

Achieving High Substitutional Incorporation in Mn-Doped Graphene